A Tale of Three Backgrounds: Blending Multicolor Prints

We looked at how the size of a print changes it's value last time.  But those prints were all the same colors, one shade of red and white, changed by the size of the print. Now we're going to look at prints of more than 2 colors.


How much does that change things? In some ways, a lot. In some ways not so much. But you want to be the one in control of your quilt. Knowledge is power.

Here is a range of green, yellow, white and brown prints in differing sizes. Several of them have 
bits of red in them.

                      

A cream color background gives us a very neutral base, where only the pattern within the blocks  show. Incidentally, it would also leave you with four corners you could quilt to a fair-thee-well. It's clean and simple

This cream and medium green background is more textural. The green leaves pull out the olive in the blocks. It's a busier background, but it functions as a slightly olive green cream color.

This third print, with is larger daisies, is harder to classify. It's definitely got yellow splotches that brighten and randomize the background.






What does this tell us about prints as apposed to solids?
A solid color is:

• Simple
• Plain
• Shows up the prints within the block
• May show dirt or soil
• Will show extensive quilting

A small print will:

• Add texture
• Add or extend the colors in the block
• Hide quilting

A larger print will:

• Add a random textural element
• Add patches of color to the cream background
• Will show some quilting, but not anything extreme
• Probably won't hide soil or wear.

All of this can help you make the best fabric decisions for your quilts. Try everything, and see what you like best.

Absolutely Shocking: Lime, Orange and Pink as Backgrounds.

From Cristin at "Sew This Is My Life on Magpie Quilts

There was a saying about 10 years ago. Lime is the new neutral. Everyone sort of shook their heads and bought some lime fabric. And we discovered that very bright backgrounds make the other colors positively shine. Magpie quilts was saying that grey is the new neutral, but for this quilt I would argue that the neutral here is the green.

Does any of that matter? Don't be silly. All the colors are in it together. And it's hard sometimes to say which is the background and which is the pattern. I'm just saying when there's a lot of lime green around, the quilts are electric. 

From LollyQuiltz made by Carla

It's true for so many colors. If it's bright and fun with a white  background, imagine it with arrest me red. Bright colors just make other colors more excited and exciting.

For that matter any color you see as eye popping and outrageous probably makes for an astonishing background. Even if its a color you wouldn't usually use.

Orange Explains it All, DC Modern Quilt Guild

Orange is another electric color. Orange was so overdone in the 70's that it disappeared in the 80s. But you can't keep a good color down. It's back and it's beautiful.

From Connie at How to Hand Quilt and More

Hot pink is no shrinking violet either. Yet it makes this black and white cow completely eye 
catching.


As you pick out backgrounds, try at least one color you consider just too bright for contemplation. It may surprise you.

Black backgrounds: As Bright As it Gets

McCalls Night Light Pattern

We've been talking about backgrounds for a while. Most quilts use muslin cream or white fabric for the background. But what happens if you don't?

Dear Jane Quilt (Civil War Reproduction Fabrics) 

Michel Galan France

Let's look at two Dear Jane Quilts. These are exactly the same paper pieced designs in two different color ranges. This is the quilt made with civil war replicas.

Dear Jane with brights and blacks by Chantal Guyon

This is the quilt with a black background. 

Do I now have your attention?

Quilt made from Laurel Burch Fabric

Most people think of black as funereal and depressing. It may be true about black dresses, but it's not true with quilts. Any time you want your colors to shine, bring on the black.

Amish Quilt From Diary of a Smart Chick

It's not a new idea either. This Amish star is a pre-1940s  quilt. The Amish quilts of that time often featured black backgrounds. The colors positively glow against the black. They knew the value of bright color against deep black.

Albert Hoffman's Orbit by Maria Shell at Tales of a Stitcher

Even thread work glows against a black background. The only color on this awesome stitching is the thread itself. The denser the stitching, the deeper the color.

Meredith's bright and black quilt from Girls in the Garden

 Actually that's what makes a black background so effective. Most exciting art celebrates contrast in some way. You can have contrast in colors, or in print sizes, or in value, the darkness or lightness of a color. Nothing is darker than black. So it contrasts everything around it, making even duller colors shine.

So, don't be afraid of the dark. The next time you want to make a knock-your-eyes our quilt, get out the black fabric and expect to be blown away

Backgrounds: A Jewel on Velvet

blue and off white

For the next several posts we're going to talk about backgrounds. We spend a lot of time looking for patterns, and searching for the right pattern. And we know there needs to be a background color of some kind. Probably white. How important can it be?


How important can it get! Your background color is the velvet your other colors shine out from. It makes a HUGE difference in how our colors look together.

blue and black

There is an illusion that only your pattern colors count. But, in truth, colors are always seen in relationship with each other. We perceive them as different with different colors around them. We usually perceive one of them as being the background and the other as the foreground, but that perception can shift in a heart beat.

The old saying about 
fabric selection is
"You can pick one  fabric for your lover. And then every one else has to dance with him."

blue and khaki

It's true. Find one color or fabric you are head over heels in love with and every one else has to show them to their best advantage.

It's also true that white isn't white and black isn't exactly black. Walk into the paint store and you'll find at least 50 different whites at least. 

Do you need all of those? 
Actually yes. Different whites will change how you see your color combinations. Ecru and Khaki are also neutral. And they change the look completely!

For the next couple sessions we'll look at how we pick up backgrounds, what they accomplish for our finished quilt, and how to pick the prints that will make your lover shine.